Not Quite New Romantics

On Sept. 30, just in time for “Secret Oktober,” the grand wizards of the New Wave era Duran Duran visit The Joint ($86-$146)—and according to’s Karen Duran (no relation), who attended a Sept. 1 tour preview gig in the U.K., they’re bringing some old, rarely heard magic to the stage. “Fans were treated to a 17-song set of mostly rarities old and new,” she writes, noting that they performed such vintage tracks as “Tiger Tiger,” “Hold Back the Rain” and “Shadows on Your Side.” A set list from their Sept. 8 show in England reveals a few hits, including “Notorious” and “Come Undone,” but for the most part they’re playing new material and seldom-heard older material. Whatever you may think of Duran Duran, you have to admit that’s a bold choice for a 33-year-old band. And they really are a fun band to watch—tight, well-seasoned and generous to fans.

YOU NEED LOVE LIKE THAT: One of the bands I saw opening for Duran Duran back in the day was Erasure. Then as now, this synth-pop duo—due at the Pearl on Sept. 30 ($45-$77)—knows how to put on a flashy but satisfying show. Alison of described the band’s Sept. 11 stop in Toronto as a “mildly Gothic, genre-crossing stage explosion.” She lavishes praise on singer Andy Bell—time has not diminished his voice or “prancing muscular full body moves”—and gushes over a set positively teeming with hits: “A Little Respect,” “Chains of Love” and “Chorus.”

NOW ON SALE: Good God, y’all, we gotta go see Stevie Nicks at The Joint on Oct. 15 ($45.50-131)—if for no other reason than to prove to ourselves that she’s not an urban myth. The former Fleetwood Mac singer is touring behind an acclaimed new album, In Your Dreams … but she’s got to perform some of her old, twirl-worthy material. And at least one tambourine solo.

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Straw Dogs

Movie Review

Straw Dogs

By Tribune Media Services

Rod Lurie’s vengeance-thriller remake still packs a visceral punch. It’s not all bad, but it is a pretty unpleasant wallow in the obvious. Lurie resets the tale of a bookish city dweller (Dustin Hoffman in the original, James Marsden here) bullied by locals, moving the setting from England to Mississippi. In the small town where his actress wife (Kate Bosworth) grew up, God, guns and goal posts are the measure of a man, and hiring some locals to fix a roof is a very bad idea.