Royal House, March 24

Low attendance and massive overreach hindered this nascent indie-rock festival. On the plus side, the Royal’s cool carnival setup (including a Ferris wheel), friendly staff, awesome sound and first-rate bands (even if the groups leaned toward the Pacific Northwest synth-pop end of the musical spectrum) suggest that this fest could eventually work. Case in point: Chromatics played a vibrant and totally pro set. “Back from the Grave,” “Candy” and “Lady”—all from the band’s forthcoming, ferociously excellent disc, Kill for Love—simmered in their cold, calculated, electronic glory. Singer Ruth Radelet sounded like nothing less than a beautiful Blade Runner replicant melodically lamenting her persecution for computer-related crimes against humanity. Like all the other bands gathered at the Royal, Chromatics proved Pastel had the better taste in bands, but inferior directorial skills. ★★★★☆

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That ‘Urban Tribal’ Sound


That ‘Urban Tribal’ Sound

By Cindi Reed

Sure, watching three tall, blue, bald men explore the stage as if it’s their first day on the planet is both surreal and endearing. But that’s only half of the Blue Man Group equation. A unique and otherworldly driving-rock soundtrack rounds out the show’s experience. (Technically, with seven band members and three Blue Men, who also drum, music is more than half the equation.)