Chromatics

Royal House, March 24

Low attendance and massive overreach hindered this nascent indie-rock festival. On the plus side, the Royal’s cool carnival setup (including a Ferris wheel), friendly staff, awesome sound and first-rate bands (even if the groups leaned toward the Pacific Northwest synth-pop end of the musical spectrum) suggest that this fest could eventually work. Case in point: Chromatics played a vibrant and totally pro set. “Back from the Grave,” “Candy” and “Lady”—all from the band’s forthcoming, ferociously excellent disc, Kill for Love—simmered in their cold, calculated, electronic glory. Singer Ruth Radelet sounded like nothing less than a beautiful Blade Runner replicant melodically lamenting her persecution for computer-related crimes against humanity. Like all the other bands gathered at the Royal, Chromatics proved Pastel had the better taste in bands, but inferior directorial skills. ★★★★☆

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BUDGET WHOMP: Los Angeles-based groove metal dojo Five Finger Death Punch chops up The Joint on March 23, with help from guests Soulfly and Windowpane. This is a special show for a number of reasons, not least of which is the price: $28 is pretty good for a Joint show, considering there’s three bands on the bill.

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