Tour Buzz

BOBBY POLYMATH: Whether you call him The Scientist, Ruler Zig-Zag-Zig Allah, Bobby Digital or plain old Robert Diggs, there’s no putting a label on the Wu-Tang Clan’s RZA … unless that label is “genius,” or something along those lines. RZA has an inventive streak a mile wide; he’s a talented actor, budding film director and immensely gifted hip-hop producer. And at the House of Blues on Oct. 19 ($29), he’ll be appearing as all three. This tour is intended to promote his feature-film directorial debut, The Man With the Iron Fists—a film he wrote, directed and scored, because simply doing one of those things isn’t enough for RZA. If he overachieves like this off the stage, just imagine what he’ll do onstage.

ECONOMY ROCK: Concert tickets are too dang expensive. Paying $106 to see the Killers, a band we once saw at Café Espresso Roma for free? Preposterous. I know it’s usually not the band’s choice to charge such a premium, but at the same time, I wish more shows had ticket prices in line with the Oct. 20 show by the Toadies and Helmet at Vinyl—a relative steal at $30. True, you’ll only know two songs played at this show, and those only vaguely (Helmet’s “Unsung,” the Toadies’ “Possum Kingdom”), but listen: For less than half the price of a tank of gas, you’ll get some of the best alternative hard rock the 1990s had to offer.

NOW ON SALE: I almost feel bad about saying this now that I’ve learned he’s gone into rehab, but Billie Joe Armstrong of Green Day—scheduled to play the MGM Grand on Feb. 8 ($39-$83)—needs to hear it anyway: We kinda like this side of you, man. We like the Bille Joe who smashes guitars, exposes himself and cusses out his corporate minders, as he did at Clear Channel’s iHeartRadio Festival at the MGM last month. It’s the first time I’ve noticed you in years, sir, and if you can bring that passion back here next February—minus the substance abuse—you just might get me interested in seeing a Green Day show.

Suggested Next Read

Tomorrows Bad Seeds


Tomorrows Bad Seeds

By Craig Asher Nyman

With so many doses of rock, reggae, punk and hip-hop, it was challenging to really find a groove during the 75-minute set from Hermosa Beach, Calif.’s Tomorrows Bad Seeds. While the sound may have jumped genres, the one consistency was lead singer Moises Juarez’s vocals, which displayed his range as an accomplished musician, even as the band bounced back and forth. Outside of an odd but quick hip-hop, b-boy session where Juarez showed his breaks, it was all business as the band riffled through tracks from their three albums.



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