Tour Buzz

UKE-FUL INFORMATION: Pearl Jam’s Eddie Vedder visits the appropriately named Pearl on Nov. 1 ($91), the second night of a two-night engagement. I didn’t mention it last week because I figured you’d be busy on Halloween. But this week, you have no excuse. You’ve just got to see one of the greatest rock ’n’ roll vocalists of our generation—the voice of ‘Jeremy” and “Corduroy”—standing defiant on a Vegas stage, accompanying himself on … an ukulele. Vedder is touring behind his May 2011 album Ukulele Songs, which he’d apparently hoped to do sooner than this. (These Vegas shows were originally scheduled for April—and yes, tickets purchased for those shows will still be honored.) Although it would be nice to have some Electric Ed, it’s better than no Ed at all—and according to early reviews, there are a bunch of Pearl Jam songs in the set, anyway.

BALL HOG OR THUD GOD: I’m gonna pull rank on you here. For $22, you can see Mike Watt + The Missingmen playing at Vinyl on Nov. 3. And as someone who’s been forced to see both Cher and Ratt live onstage in the course of his work, I demand that you shell out that paltry sum of money to see a truly great musician. Watt, formerly a member of Minutemen, Firehose and the Stooges, is revered among punk bassists—everyone from the Beastie Boys to the Red Hot Chili Peppers to … yes, even Eddie Vedder has clamored to work with Watt, and they have. (Get Watt’s 1995 album Ball Hog or Tugboat, whose numerous guest performers practically make it a K-Tel collection of the 1990s alternative rock era.) Just remember, you’re not paying $22 for Watt’s “hits.” You’re paying to see him master his instrument, and to be grateful you’re not watching Ratt.

NOW ON SALE: Remember back when, in the pre-Gaga, pre-Adele days, when everybody was all up in Pink’s stuff? Well, she hasn’t forgotten you. The rose-tinted diva plays Mandalay Bay in support of her new album, The Truth About Love, on Feb. 15 ($69-$153).

Suggested Next Read

Glenda Glen Ross

Stage

Glenda Glen Ross

By Jarret Keene

Inside Theatre7, a new production of David Mamet’s Pulitzer Prize-winning play Glengarry Glen Ross is being rehearsed. Actors and crew are mired in the messy yet essential business of blocking their movements and positions. It’s tricky, since the venue is, to put it politely, intimate. Audience members must exit stage left (there’s no stage right), along with the busily performing cast, to access the restroom. The intense proximity heightens the rough-and-rumble, testosterone-fueled atmosphere of cutthroat real estate agents in Chicago.

DTLV

RunRebs