“Baby Man,” the Mad Caps

Director Ryen McPherson of Shoot to Kill (a Wendoh sister company) produces arresting videos for Las Vegas bands. Who can forget Dude City confronting bikers in a desert tavern in “Technology”? Or Candy Warpop battered by a sadistic birthday princess in “Smilefucker”? Or Deadhand blowing up the Magic Kingdom in “Places”? Add to that the image of twin pregnant blondes belly-bashing each other until one births a disco ball in blues-rock duo the Mad Caps’ “Baby Man.” Framed by a hilarious Masterpiece Theatre-esque host, the video is set in an abandoned warehouse. There, drummer Jon Real and singer/guitarist Ted Rader churn out a gutbucket ode to virile manhood as the siblings synchro-gyrate and grind. “Nothing short of despicable art,” the host concludes. Yes, the best kind.

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Red Dawn

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Red Dawn

By Tribune Media Services

(PG-13) ★★☆☆☆ In the not-too-distant future, North Korea has invaded American soil. Our only hope is a gaggle of high school kids who form a guerilla army calling itself the Wolverines, after the local football mascot. Chris Hemsworth takes on the old Patrick Swayze role, and there’s enough to like about him and the general reworkings of the 1984 cult-classic. There’s plenty of righteous kills, explosions, patriotic speeches and righteous kills. It’s not a disaster. Just drab.

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