Greg Blake Miller

Managing Editor

Contact: 868-4514 • Email

Miller has helped lead Vegas Seven’s editorial team since 2010, during which time the magazine has received more than 40 state and regional honors. Named Nevada’s Outstanding Journalist for 2011, he is interested in both Las Vegas’ grand myths and its quiet spaces. “Sometimes our city’s indefensible,” he says, “but in the end it’s unsinkable. There’s strength in our sense of difference here—that chip on the shoulder keeps us fighting.”

Las Vegas is Miller’s hometown, but his career has taken him to Seattle, Los Angeles and Moscow, Russia, where he was a staff writer for the Moscow Times. He has also taught journalism, communication studies, literature and writing at the University of Oregon and UNLV.

Miller holds a doctorate in international communication from the University of Oregon, and has spoken at national and international communication conferences, often focusing on the unexpected connections between nostalgia, media and social progress. He sees these connections both in his work on Russian cinema and in his closer-to-home writing on the history of UNLV basketball. A Rebel fan since childhood, he admits the one thing that can pull him away from a good Russian movie is an even better UNLV basketball game.

Recent Articles

The Mayor of Downtown

Oscar Goodman bet his legacy on an urban renaissance. Did he pull it off?

A dozen years ago, when he was a rookie Las Vegas mayoral candidate, the mob lawyer Oscar Goodman—who had once flicked away FBI agents and federal prosecutors like lint from a smoking jacket—decided that he wanted to be loved. So the first thing he did was tell the city how much he loved it.

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The Week

Into the Sunset

Leave it to the state to do this to Oscar Goodman. The day before Las Vegas voters decided who would step into his mayoral shadow, the Legislature killed off his latest chances to land a stadium for the Valley. It did, however, tell him that he could once again smoke while eating. Though any plans he had to smoke and eat while texting in a moving car will have to be set aside. Nevada libertarianism only goes so far.

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The Week

Classics & Chestnuts

There ought to be nothing more unpredictable than awards shows and Armageddon. The pounding heart, the sweating palms, the waiting. Any minute, an announcement will come from God, or from that guy in The Hangover (who emceed the May 22 Billboard Music Awards but, regrettably, not the Rapture), that forever changes at least one life, or maybe all lives.

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The Week

Goodbye to All That

The thing about farewells is they’re much more pleasant when you know where you’re going next. But when, like a lumbering drunk, you break the furniture on the way out and step into the void of what’s next, it’s hard to relish the sweetness of goodbye. The Sahara is gone, the building is staying up, and not even the owner of the place, Sam Nazarian, can honestly tell you what for. In the phantom fever-vision future (where certain things, like local stadiums, forever reside), the Sahara site is home to a slick SLS Hotel that simultaneously embraces what Nazarian calls “the new Vegas” (whatever that is) and the classic Vegas of the Sahara’s heyday, which ended about 45 years ago.

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Great Drives

The Scarlet Stones of Memory

The Valley of Fire is close to home in more ways than one

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The Week

The Strange Calm of Acceptance

Nonetheless, as a city and as a state, we seem to have weathered an angry storm—and can only hope that today’s relative calm does not herald another.

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The Latest

The Age of Abandon

The bin Laden era is over. What the national mood might mean for Las Vegas.

Few cities take the cultural pulse more assiduously than Las Vegas. The last time America felt good about itself, the town built a pyramid and an emerald city and invited you to bring the kids. But when the nation’s feeling low, Vegas decorates itself like a space-age boudoir: dim nooks, red light, curvaceous spaceship furniture with accents in red velvet—part Victorian fetish, part post-nuclear fuck-it-all, a sort of nostalgic erotic futurism.

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Seven Shades of Green

3. The Vegas Light Saver

This man has rappelled off the Rio and stood atop the Stratosphere spire. He has walked through the Hilton’s Elvis suite, greeted Engelbert Humperdinck on his way, and ascended to the top of the hotel’s sign. He’s worked on the giant antique flasher panels of Fremont Street, and he’s taken 15,000-volt hits from neon transformers. But the most radical thing Scott Hill ever had to do was change the nature of lighting on one of the brightest streets in the world.

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Seven Shades of Green

7. Guardians of the Shattered-Glass Dream

Can the Strip’s used bottles pave the way to a greener Las Vegas?

In the mid-2000s, at a time when Scott McCombs could have been calmly multiplying the rewards of Realm of Design, the architectural accents firm he and his wife, Cindy had started in 1991, Scott became fascinated with the possibility that fly ash left over from burnt coal could be mixed with recycled glass to create a new kind of concrete. It would be a concrete that would use virtually no virgin materials, necessitate no environmentally damaging quarrying, and keep a whole bunch of ash and glass out of landfills.

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The Latest

Old-School Visionary

The nostalgic future of Carolyn Goodman

Carolyn Goodman, who will face off against Chris Giunchigliani on June 7 for the right to be Las Vegas’ next mayor, has been admirably clear about her major policy goal: She wants carry on her the legacy of her husband, Mayor Oscar Goodman.

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