Vegas Seven

Review

  • concerts

    Scenes From Panic! At the Disco’s Homecoming Tour

    By Adam Christopher Smith

    Highlights from the hometown band's show at Mandalay Bay Events Center.

  • movies

    Saban’s Power Rangers Unsure of What It’s Morphin’ Into

    By Amber Sampson

    The reboot of the classic 1990s television series tries to pander to too many audiences at once.

  • movies

    Beauty and the Beast Stirs Nostalgia

    By Genevie Durano

    The motion picture recasts a spell it started 26 years ago

  • concerts

    Tenors of Rock Realize a Dream at Harrah’s

    By Heather Peterson

    Tenors of Rock didn't disappoint with their electrical energy and face-melting guitar solos

  • movies

    Silence in the Theater

    By Shannon Miller

    Those expecting a moralizing tale about the power of faith were disappointed.

  • stage

    Leslie Jones Transcends Barriers, Drums on Heads

    By Soni Brown

    She is much funnier doing stand-up than in any Saturday Night Live skit.

  • Review

    Million Dollar Quartet to open residency at Harrah’s in February

    By Cindi Moon Reed

    Editor's Note: With the news that the Million Dollar Quartet will begin a residency at Harrah's in February, we take a look back at a review from the touring version of the show that stopped by The Smith Center during the summer.

  • Review

    Cirque de Street Clothes

    By Melinda Sheckells

    Imagine Cirque du Soleil stripped down to its core, void of elaborate costumes, multimillion-dollar stages and special effects. Then take its acrobatic elements and set them to contemporary music such as hip-hop and dubstep. Bundle this up with a storyline that explores mental illness. This is PSY: Mind-Blowing Circus by Montreal-based theatrical group Les 7 Doigts de la Main (the seven fingers of the hand). The 10-year-old troupe made its Las Vegas debut on May 15-16 at The Smith Center for the Performing Arts.

  • Review

    The Color Purple

    By Cindi Moon Reed

    The informal rule of casino-housed production shows is that they last 90 minutes and have no intermission—primarily to minimize time away from gambling. The Smith Center for the Performing Arts has no such obligation. And right on cue, I had a few Pavlovian fidgets 90 minutes into the 145-minute musical (not counting the 15-minute intermission) The Color Purple. But whenever my muscles twitched, the fantastic performance pulled me back in.

  • Show Review

    Magic of Paris

    By

    Stefane Vanel’s Magic of Paris is an hourlong confection of a variety show. The Frenchman makes balls, coins and cards appear, reappear, float, flutter and dance in his hands. An endless snowfall of confetti rushes up from his hand and out across the crowd, where it drifts in a beam of stage light. A table levitates. A girl vanishes.

  • Review

    Grandma Lee

    By

    The cantankerous sailor-mouthed coot is definitely not someone whom you’d want sitting across from you at Thanksgiving dinner. Which is, naturally, what makes the comedian so hilarious. She repeatedly stirs the cognitive dissonance generated when a stooped old lady weighing not much more than her age carefully eases her way onstage with the help of a four-footed cane, gingerly sits down on a stool in the spotlight, and proceeds to tell the audience the explicit sexual acts she’d like to repeatedly perform on the warm-up comics.

  • Review

    Absinthe

    By Jarret Keene

    April 1 was INDEED a day for foolishness and frivolity, marking another gala premiere night for a show on the Strip. Seats were jammed with casino execs, production insiders, local celebs and media in a—get this—tent situated between Serendipity 3 and Caesars Palace. That was my first clue that Absinthe will stand out in today’s Cirque-dominated entertainment scene.

  • Review

    Don Rickles

    By Jason Harris

    On March 20, the “Merchant of Venom,” Don Rickles, spit his fire at The Orleans Showroom audience, and they were delighted. While age (84) might have slowed him down physically, Rickles is still sharp and full of piss and vinegar. A Las Vegas headliner for 52 years, he still bobs and weaves across the stage energetically, although he does use his deteriorating physical condition to garner laughs. For example, he repeatedly dropped the microphone, and then stared down his orchestra’s bandleader, demanding he pick it up.

  • Review

    Whoopi Goldberg

    By Jason Harris

    On March 25, at the mostly full Treasure Island Theater, Whoopi Goldberg conducted what could be considered the entertainment version of a town hall meeting, while audience members (almost all women) seemed to throw comments at her after nearly every topic. Goldberg discussed everything from getting old, (“I can’t remember shit. Now when somebody approaches me, the first thing I ask is, ‘Did we sleep together,’”) to racism, celebrities and politics—sometimes all rolled into one.

  • Show Review

    Kathy Griffin

    No longer on the proverbial D-List, the two-time Emmy winning comedian now has the fame she once craved.